In this book, architectural antiquarian Erika Åberg shows you how to maintain, renovate and make creative reuse projects with old windows and doors.

“Windows are the soul of the house” has become almost a proverb in the building industry. What does it really mean? What are the significance and qualities of old windows? And what about doors? Here, Erika Åberg talks about design and stylistic approaches through the ages, different types of glass, function – or the lack of it – and the challenges of keeping the heat in and the cold out.

The timber used for windows and doors in the past was the best available, of a quality that is hard to find today. If cared for properly, it can last for hundreds of years. Here you will learn about restoration of varying degrees of difficulty, from first aid to full restoration.

With smart techniques and solutions, you can get windows and doors that are beautiful and fit your house. It goes without saying that preserving is more environmentally friendly than buying new. Here is an example of an orangery built with recycled windows.

Erika Åberg tells you in text and pictures how you can take care of and enjoy your old windows and doors for a long time to come.

Swedish Grace is a term coined by contemporaries to denote neoclassical Swedish design from the 1910s and 1920s.

The most representative buildings from this era, such as the Stockholm City Library by Gunnar Asplund, the Resurrection Chapel by Sigurd Lewerentz and the Stockholm Concert Hall by Ivar Tengbom, are all world-famous, and most of what was built during the period is among the most highly regarded architecture in Sweden.

In this anthology, specialists from Sweden as well as other countries discuss different perspectives on Swedish Grace and show aspects that are still relevant today.

The book provides an illustrative picture of the standard and style development of kitchens and bathrooms in Sweden’s apartment buildings and detached houses. The design and equipment of kitchens and bathrooms follow the spirit of the times through the decades, both technically and functionally. At the same time, history bears clear traces of how the view of housework and life in the home has changed over time.

The story begins in the 1880s, when many cities are growing rapidly in the wake of industrialization. There is a housing shortage and economic conditions are tight. Homes are heated by tiled stoves or fireplaces, food is cooked on wood stoves and there are dry toilets in the yard. 120 years later, in 2000, when the story ends, high standards in kitchens and bathrooms are a matter of course. New trends follow one another and many kitchens and bathrooms are torn out and rebuilt, long before it is technically necessary.

Increased knowledge of period interiors is a valuable basis for conservation, renovation and remodeling. Inspiration can be drawn from the floor plans, kitchen layouts and furnishings of different periods.

Cecilia Björk architect SAR/MSA and Laila Reppen architect SAR/MSA are authors and illustrators of books such as Så byggdes husen 1880-2000, Så byggdes staden, Så byggdes villan and Tidstypiskt. Gustav Bergström, “Rävjägaren”, is a civil engineer as well as a writer and opinion leader in architecture and building conservation.

The book is nominated for Book of the Year 2020.

Wallpaper through the ages – Perspectives from the Engelsberg Mill World Heritage Site.

Wallpaper has been one of our most important wall decorations for centuries and in various forms. Attitudes towards wallpaper have changed over time, especially in recent decades, but today there is a strong and growing interest in wallpaper and the historic preservation of buildings.

This book, which is the first stand-alone volume in a series on the Engelsberg Mill World Heritage Site, contributes to a better understanding of the history of wallpaper. Through the rich array of illustrations, both historical and modern, experts in several subjects share their in-depth knowledge of wallpaper, both as a craft and as an expression of different decorative ideals.

130 illustrations. Edition: French binding with gold foil and printed cover, wire-bound. 24 x 31 cm. 200 pages.

Authors: Erika Åberg, Lars Sjöberg, Stina Olinder Haubo, Ursula Sjöberg, Mats Qwarfordt, Martin Olin, Sara Lundström.

Editors-in-chief: Svante Holmbaek Tirén, Kurt Almqvist.

Design: Patric Leo.