Indoor

VarnishVarnish
LinseedLinseed oil paint
MattMatt linseed oil paint
OilOil and wax
Kulör

Almond Branch Brush Oil

In its original recipe from 1779, brush oil is known as ‘painter’s varnish’. It is traditionally heated in open vats at high temperatures, but contains no drying agents. This product differs from our other traditionally boiled linseed oils in that it dries more slowly, and in particular the drying process in the surface layer is slow.

In the 18th century, the product was used to grate the color pastes. They could then be stored for a longer time without drying out. We call it brush oil, because it’s great for storing brushes during painting projects. Brush oil keeps brushes soft without the drawbacks of raw linseed oil, which can cause matting, blistering and running. At the end of the day, wipe the paint off the brush with a cloth and place it in the brush oil. The next day, or even after three months, the brush will be just as soft, no skin will have formed on the oil and you can simply wipe the oil off with a cloth and continue painting.

Brush oil can also be used as an additive to paint for decorative painting to increase the open time of the paint, or as an anti-shine agent. A thin layer is dripped over finished paints or color pastes to make them last longer.

EUR8.66 – EUR26.90

Birch lye 1 L

Yellowish-brown oil for birch bark treatment of indoor wood surfaces.

The birch glaze is ready to use. It is applied on top of the glaze base (see Glaze base) and patterned with a wallpaper brush, for example, to form a striped pattern known as long straw. Or you can print a crumpled newspaper on the glaze surface to create masur birch. A third variation is to imitate flame birch with a birchbark brush. Scrub birch and flame birch are usually displaced, softened, with a displacer, but “long straw” is usually displaced.

If you want an even darker glaze, for example to draw details such as grain patterns and the like, you can add more linseed oil paint, such as unfired umber, to darken the birch glaze.

If you want to achieve a stronger surface than the birch bark itself provides, you can apply a layer of uncolored oil on top, or varnish it with linseed oil varnish, as was done in the past.

The surface in the latter case is much shinier than if you use laser oil.

EUR42.41

Crayon

Chalk for the preparation of adhesive paint, for tiling, etc.

In the recipe for mixing your own glue paint, you need the following for 10L of finished paint;

  • 10 kg chalk
  • 5 liters of water
  • 2 hg bone glue + some water for soaking

EUR9.58 – EUR72.50

Crude linseed oil

Raw cold-pressed linseed oil of the highest quality. Natural and without chemical additives. Cold-pressed linseed oil is extracted from linseed by pressing when the linseed is cold. This ancient method produces the highest and purest quality of linseed oil.

Unbeatable for impregnating wood exposed to moisture, such as boats and water barrels. Raw linseed oil dries slowly, sometimes never. Therefore, it should not be used on surfaces that will later be painted with linseed oil paint. It can cause blistering.

Tips! Raw linseed oil is also ideal for impregnating planters and grow boxes.

ATTENTION! Keep in mind that paper and rags with linseed oil can catch fire. Put them in a water-filled bucket after use.

EUR11.76 – EUR26.90

Floor wax 1 l

Liquid, unscented wax solution. Intended for the cleaning and protection of hard floors, such as painted wooden floors, stone floors, tiled floors, cork and linoleum carpets and oiled brick floors.

Excellent for mopping floors. Perfect for those who have a linseed oil painted floor and want to keep the freshness of the color while giving the floors a more easily cleaned and dirt-repellent surface. An advantage is that floor wax can be used on all floors in all rooms, regardless of material, in normal cleaning.

Floor wax only works in diluted form to treat or maintain linseed oil painted floors according to the dosage description below.

For the treatment of dry linoleum floors, undiluted floor wax can be applied until the surface is saturated and then polished with a polishing sponge or cloth.

EUR22.34

Golvolja

For the treatment of pine and spruce floors and parquet floors. Also suitable for brick and stone floors. A much better alternative than floor varnish for old houses. Provides a strong silky matt and easy-to-clean surface. Can also be used in public spaces. Easy to repair and maintain (the floor does not need to be re-sanded). Before the oil has hardened, it can be sensitive to water splashes and dirt.

Instructions for use are included. Otherwise, you can read our article Floor oil under construction bathroom care – do it yourself. Our book Painted Floors also contains all common floor treatments, with material and workmanship descriptions and pictures.

EUR40.58 – EUR150.02

Lasy oil, 1 liter

Colorless glazing oil for glazing wooden surfaces indoors and outdoors. Suitable, just as it is, for those who just want to freshen up old unpainted or painted surfaces. Perfect for diluting to the desired color and coverage with ordinary linseed oil paint, for veining and marbling. Can also be broken with dry pigments.

EUR34.20
Linoljefernissa

Linoljefernissa 5 l

Traditionell golv- och båtfernissa. Användbar inom- och utomhus. Utan tillsatser av plast, alkyder m.m.

Egenskaper: Ger slitstarka och blanka ytor. Mycket väder- och vattenbeständig.

Lämplig på: Nya och gamla träytor inom- och utomhus, på golv, ytterdörrar, fönster, trädgårdsmöbler, båtar etc.

Åtgång: 10 -20 kvm / liter

Kulör: Färglös, men kan brytas med linoljefärg till andra kulörer. Mer information finns i boken Målade golv samt i artikel under fliken ”Byggnadsvård -Gör det själv” högst upp på sidan.

Glans: Högblank. Glansen minskar något om fernissan förtunnas med balsamterpentin.

Applicering inomhus: Målas med lackpensel. Ju fler tunna strykningar desto tåligare yta. Första strykningen förtunnas med cirka 15% terpentin, därefter med 10-5% terpentin i övriga strykningar.

OBS! Golvet måste ha rumstemperatur för en lyckad behandling.

Applicering utomhus: Utomhus kan behövas minst 5-6 strykningar om virket är nytt. Första strykningen förtunnas med cirka 15% terpentin. Mellanslipa med fint vattenslippapper och våttorka bort dammet mellan strykningarna.

Förtunning: Balsamterpentin.

Redskap: Lackpensel med styv borst.

Penseltvätt: Först balsamterpentin. Därefter linoljesåpa och vatten.

Torktid: Dammtorr efter ca 2-3 timmar i rumstemperatur. Övermålningsbar efter 2 dygn.

Förvaring: Torrt och svalt. Fryser ej. Närmast obegränsad hållbarhet om burken är välfylld och väl tillsluten.

EUR163.70

Linseed Oil Fernissa 1 l

Traditional floor and boat varnish. Suitable for indoor and outdoor use. Without additives of plastics, alkyds etc.

Properties: Provides durable and glossy surfaces. Highly weather and water resistant.

Suitable for: New and old wooden surfaces indoors and outdoors, on floors, exterior doors, windows, garden furniture, boats, etc.

Color: Colorless, but can be broken with linseed oil paint to other colors. More information can be found in the book Painted Floors and in the article under the tab “Building care – Do it yourself” at the top of the page.

Gloss: High gloss. The gloss is slightly reduced if the varnish is thinned with balsam turpentine.

Indoor application: Paint with a paint brush. The more thin coats, the more durable the surface. The first coat is thinned with about 15% turpentine, then with 10-5% turpentine in the other coats.

ATTENTION! The floor must be at room temperature for a successful treatment.

Outdoor application: Outdoors, at least 5-6 coats may be needed if the wood is new. The first coat is thinned with about 15% turpentine. Intermediate sanding with fine water sandpaper and wipe off the dust between coats.

Thinner: turpentine balsam.

Tools: Paint brush with stiff bristles.

Brush wash: First, balsam turpentine. Then linseed oil soap and water.

Drying time: Dust dry after about 2-3 hours at room temperature. Can be painted over after 2 days.

Storage: Dry and cool. Does not freeze. Almost unlimited shelf life if the jar is well filled and well sealed.

EUR40.58

Linseed oil paint Allmoge blue

The favorite color of the rococo and the common people has many names; dala blue, pigeon blue, gray blue. We call it ‘common blue’ because it was so dominant in the interior painting of the common people in the 18th and 19th centuries. The color is not normally broken.

Nearest NCS S 5010-B70G

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

Content: Boiled, cold-pressed linseed oil. Pigment.

Features: Completely solvent-free. Easy to renew and maintain. Thin and lightweight. very thick Good hiding power. Excellent color fastness. Good adhesion. Penetrates deeply into the substrate.

Intended for: Outdoors on wood, sheet metal and iron. Excellent also on top of old linseed oil paint. Indoors: Wood, plaster, iron, etc. Suitable for both dry and damp areas.

Gloss: Shiny as freshly painted, but goes down to semi-matt after a few months. Can be matted faster by adding solvent in the last coat.

Thinner: Can be thinned with boiled linseed oil and/or turpentine. If you want to avoid thinners completely, just spread the paint thinner.

Linseed oil: Linseed oil is of the highest quality, produced in unbroken tradition in the same factory since 1839. The cold-pressed linseed oil is boiled according to tradition to minimize mold growth.

Painting instructions: Follow the instructions on the can or read our article in Building Care – Do it yourself here on the website.

EUR15.41 – EUR42.41

Linseed oil paint Blue gray

Finished paint in a light blue-gray color. Very common throughout the 19th century and especially during the pearlescent period. The color became especially popular around the turn of the century 1900, as a kitchen paint and generally as a paint for indoor carpentry.

Nearest NCS S 2002-B

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

EUR15.41 – EUR42.41

Linseed oil paint Burnt Terra

Brown color that is rarely used 100%, but a classic in breaks with white. Together with white, it gives an old pink color, without a tendency towards sharp edges.

Pink is a common accent, both indoors and outdoors, especially in the 18th and 19th centuries.

Sample jars with ready-to-use refractions in 1%, 7%, 15%, 30%, and 60%

ATTENTION! The color reproduction on the screen is not 100% accurate.

EUR15.41 – EUR42.41

Linseed Oil Paint Burnt Umbra

Common brown color with a tendency towards beige, especially in the second half of the 19th century. Most commonly found in mixtures with white, where it gives a nougat color.

Sample jars with pre-broken percentages 1%, 7%, 15%, 30%, 60%

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

EUR12.68 – EUR42.41

Linseed oil paint charcoal gray

A cold gray color with a tendency towards blue, made mainly of carbon black and white pigment. Common as a carpenter’s color, especially in the 19th century, then usually broken with white. Carbon black gray can sometimes be found in 100%, for example as a sill paint, but it is otherwise mostly used as a break color and is rarely painted unbroken.

Sample jars are available with pre-broken percentages 0.5%, 2%, 7%, 15%, 30%

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

EUR12.68 – EUR42.41

Linseed oil paint Chimney smoke black

Absolute carbon black paint, made from carbon black. Ready-made color for e.g. tin roofing and forging. Black is common as an unbroken color, but is also used as a breaking color to make other colors darker. Extremely good hiding power.

Nearest NCS S 9000-N

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

EUR15.41 – EUR117.19
Chrome oxide green

Linseed oil paint Chrome oxide green

Pea green fashionable color in the second half of the 19th century. Used unbroken on garden furniture, windows, front doors and tin roofs.

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

Environmental image: The Sommarro garden group is painted with 100% Chrome Oxide Green linseed oil paint

EUR15.41 – EUR117.19

Linseed oil paint Djurgarden green

Djurgårdsgrön is a typical 19th century color named after Djurgården in Stockholm, a part of the capital that has a lot of buildings left from the mid-19th century.

The green color was painted on the facades and for the windows, white was used, broken with about 10 percent green umber (so-called Stockholm white).

The color is also very common as a window color and the opposite relationship is at least as common; Stockholm white facade and Stockholm white lining and zoo green window frames.

Nearest NCS S 5020-G10Y

NOTE! The color rendering on the screen does not correspond 100% to reality.

EUR15.41 – EUR42.41

Linseed oil paint English Red

Maroon color. Classic from the 17th century onwards for joinery. Very popular from the end of the 18th century onwards, as the color resembles mahogany, a type of wood that was fashionable at the time. Finished color in a can, and normally does not break. Extremely good hiding power.

Nearest NCS S 5040-Y80R

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

EUR15.41 – EUR117.19

Linseed oil paint Gotland blue

Ready-mixed beautiful, mild blue-gray tone that fits in most environments.

Closest NCS S4020-R80B

EUR15.41 – EUR42.41

Linseed oil paint Gray Umbra

Finished neutral gray linseed oil paint of a shade that does not tend towards green or blue, but is more of the same color as, for example, a Carrara marble. A very common color from the 18th century onwards on all carpentry, both indoors and outdoors.

Nearest NCS S 2005-Y20R

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

EUR12.68 – EUR117.19

Linseed oil paint Green earth

Dark greenish-brown color, reminiscent of green umber but greener. becomes warm gray in breaks with white.

Common window color in the 18th and 19th centuries. The windows at Stockholm Castle are painted in this color. Very effective as window color on red cottages with white linings.

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

EUR12.68 – EUR117.19

Linseed oil paint Green gray

Ready-baked paint in a dark pearl gray-green color, common already in the 18th century. Suitable as a carpentry paint outdoors, for windows and doors on older wooden houses and for carpentry indoors, from the 18th century onwards.

Nearest NCS S 3005-G80Y

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

EUR12.68 – EUR42.41

Linseed oil paint Green Umbra 15%

A classic warm gray color. White broken with 15% Green Umbra.

Nearest NCS S 2502-Y

100% it is dark gray-brown, broken with white it is warm gray. It is available in the following percentages: 2%, 7%, 15%, 30%, 60%.

When you want to paint knots and linings on wooden houses from the 18th to the 20th century, it is good to know that there was a different amount of refraction of the white color in different eras.

The most common was 30% green umber in the 18th century, giving a distinct limestone gray hue. During the 19th century, the fashion lightens and the “white” color often ended up around 15% green umber.

By the turn of the century, however, only light, soft white is the highest fashion, corresponding to 2% green umber.

Since the same colors and the same paint qualities were also painted indoors with roughly the same timetable, our ready-made paints are suitable for both indoors and outdoors. Indoors, this linseed oil paint was used on windows, carpentry, breast panels, doors and more.

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

EUR12.68 – EUR117.19

Linseed oil paint Green Umbra 2%

Broken warm white. White off-white with 2% Green Umbra.

Nearest NCS S 1002-Y

100% it is dark gray-brown, broken with white it is warm gray. It is available in the following percentages: 2%, 7%, 15%, 30%, 60%.

When you want to paint knots and linings on wooden houses from the 18th to the 20th century, it is good to know that there was a different amount of refraction of the white color in different eras.

The most common was 30% green umber in the 18th century, giving a distinct limestone gray hue. During the 19th century, the fashion lightens and the “white” color often ended up around 15% green umber.

By the turn of the century, however, only light, soft white is the highest fashion, corresponding to 2% green umber.

Since the same colors and the same paint qualities were also painted indoors with roughly the same timetable, our ready-made paints are suitable for both indoors and outdoors. Indoors, this linseed oil paint was used on windows, carpentry, breast panels, doors and more.

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

EUR15.41 – EUR172.82

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