In this book, architectural antiquarian Erika Åberg shows you how to maintain, renovate and make creative reuse projects with old windows and doors.

“Windows are the soul of the house” has become almost a proverb in the building industry. What does it really mean? What are the significance and qualities of old windows? And what about doors? Here, Erika Åberg talks about design and stylistic approaches through the ages, different types of glass, function – or the lack of it – and the challenges of keeping the heat in and the cold out.

The timber used for windows and doors in the past was the best available, of a quality that is hard to find today. If cared for properly, it can last for hundreds of years. Here you will learn about restoration of varying degrees of difficulty, from first aid to full restoration.

With smart techniques and solutions, you can get windows and doors that are beautiful and fit your house. It goes without saying that preserving is more environmentally friendly than buying new. Here is an example of an orangery built with recycled windows.

Erika Åberg tells you in text and pictures how you can take care of and enjoy your old windows and doors for a long time to come.

The Painting Workshop works on renovating old paintings, repainting using old techniques and developing new products inspired by the traditional painting of the Hälsingland farms. The Painting Workshop holds lectures and workshops on painting at the World Heritage Farms in Hälsingland.

Anna-Carin Åsbrink has been working with old painting techniques for over 40 years and shares here the many skills in stencil painting she has accumulated over the years.

The 24-page booklet describes stenciling on walls, borders and blinds. Includes tips on tools, techniques and color mixing of egg oil tempera. It also describes paintings from Hälsingland, which at the same time is universal for all stencil painting.

Swedish Grace is a term coined by contemporaries to denote neoclassical Swedish design from the 1910s and 1920s.

The most representative buildings from this era, such as the Stockholm City Library by Gunnar Asplund, the Resurrection Chapel by Sigurd Lewerentz and the Stockholm Concert Hall by Ivar Tengbom, are all world-famous, and most of what was built during the period is among the most highly regarded architecture in Sweden.

In this anthology, specialists from Sweden as well as other countries discuss different perspectives on Swedish Grace and show aspects that are still relevant today.

The tiled stove in Sweden – part two in the series Perspectives from the Engelsberg World Heritage Site.

Until the beginning of the 20th century, the tiled stove remained by far the most important source of heat in Swedish homes. Both the technology and the aesthetics were refined, even though the same basic principle is still used today in tiled stove installations. Today, the tiled stove is an important example of the Enlightenment’s work with technology, science and craftsmanship.

In 1767, the architect and superintendent Carl Johan Cronstedt presented a memorial entitled “Beskrifning på Ny Inrättning af Kakelugnar til Weds Besparing för Rikets råd”. It described a revolutionary construction that would change Swedish architecture and housekeeping for the next hundred and fifty years: the modern tiled stove.

The anthology is part of the series Perspectives from the Engelsberg Mill World Heritage Site. Previously published titles in the series are Tapeter genom tiderna. Future titles will also include Gardens during the age of the mills.

The editors-in-chief are Kurt Almqvist and Svante Helmbaek Tirén.