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Corner iron 18th century type

Hand-forged window fittings of models that were common throughout the country in the 18th century.

Well made hand forged window corner iron from Gysinge. Untreated. Nailed with hand-forged nails 1-1.5 inches. Width 26 mm, height 105 mm, length 105 mm, thickness about 2 mm.

EUR21.36

Corner iron after 1850 large

Corner iron 1850 – 1900.

Window fittings after a dominant model from the period 1850-1900. High quality. Hinge bars, hinges and corner brackets are available in two sizes, one for thicker arches and one for thinner ones.

EUR7.73

Corner iron after 1850 small

Corner iron 1850 – 1900.

Window fittings after a dominant model from the period 1850-1900. High quality. Hinge bars, hinges and corner brackets are available in two sizes, one for thicker arches and one for thinner ones.

EUR6.82

Cornice 1900s, per meter

The cornice is part of planed joinery based on models from the late 19th and early 20th centuries. Planed after the model from our exhibition house “Andra bygget” from 1894 in Gysinge.

Because of their simple and rustic character, they are also useful in other contexts. The floor plinth, for example, has a shape that was already common in the 18th century. A complete room interior includes: Floor plinth, door and window linings, lining plinth, cornice and cornice.

The price is per meter.

EUR7.27

Cornice gooseneck late 1800 per meter

The “gooseneck” cornice is part of our program of planed joinery from the second half of the 19th century is of a machine-planed variety that was common throughout the country. The model is usually called “French joinery” and was in production until well into the 20th century. There were normally two variants, one more lavish for finer rooms, such as the hall, atrium and salon. These rooms included, for example, three-part cornices and three-part high plinths. For simpler rooms, such as kitchens, bedrooms and chambers, carpentry was used with smaller dimensions and less complicated profiles. However, some of the moldings, such as linings and breast moldings, tend to be the same, regardless of whether they are in finer or simpler rooms.

The price is per meter.

EUR9.09

Cotton cord 3 mm

Cotton cord for 18th century roller blind. About 3mm in thickness. 100% cotton. Sold in whole meters.

EUR0.91

Counter chest c-lock 18th century west with night bolt

Counter chest for chamber lock of 18th century type with night bolt. Normally associated with double doors, so-called deadbolt doors. The counter chest is mounted on the fixed door leaf, and the lock itself is mounted on the wicket door. Can sometimes also be mounted on single doors. In this case, the counter chest is mounted on the door frame itself.

EUR190.44

Counter chest chamber lock 18th century and night bolt

Counter chest for chamber lock of 18th century type for locks without night bolt. Normally associated with double doors, so-called deadbolt doors. The counter chest is mounted on the fixed door leaf, and the lock itself is mounted on the wicket door. Can sometimes also be mounted on single doors. In this case, the counter chest is mounted on the door frame itself.

EUR177.26

Counter chest k-lock 18th century hay with night bolt

Counter chest for chamber lock of 18th century type. Normally associated with double doors, so-called deadbolt doors. The counter chest is mounted on the fixed door leaf, and the lock itself is mounted on the wicket door. Can sometimes also be mounted on single doors. In this case, the counter chest is mounted on the door frame itself.

EUR190.44

Coupling hook with screw

Coupling hook for older windows. A traditional variant that works well for connecting windows.

A hole for fixing, then you let the hook step over the screw head of the corresponding sash and lock it that way.

EUR2.27

Coupling sleeve for kitchen stove rod

Spare part for our kitchen stove pole. Used to easily connect and extend the bar. Feel free to put a wall bracket over the connection for best durability.

EUR9.00

Covering fabric Red/White striped

Swedish machine woven half linen fabric of solid quality, suitable as a cover fabric for upholstered furniture and for so-called half curtains. Now in even better and more rustic quality. The fabric is now woven in an old loom with a shuttle and thus has smooth, fine city edges, which do not need to be hemmed or cut away. Available in two traditional color schemes, red and white after a model from Röö parish in Uppland and blue and white after an original fabric at Skokloster Castle. Both models are from the 18th century, but the fabric as a variety is found throughout the country during both the 18th and 19th centuries.

EUR49.54

Crayon

Chalk for the preparation of adhesive paint, for tiling, etc.

In the recipe for mixing your own glue paint, you need the following for 10L of finished paint;

  • 10 kg chalk
  • 5 liters of water
  • 2 hg bone glue + some water for soaking

EUR8.64EUR72.27

Cross coupler black porcelain

Classic surface-mounted switch in black porcelain without a knob in a design that was common in Europe during the first half of the 20th century.

This switch has a so-called cross function, which means that it should only be used if more than two switches are to control the same light source from different locations in a room, staircase or corridor. The cross-function switch is then mounted between two staircase switches.

If an ordinary switch is required to turn a light source on and off, or if two switches are connected to the same light source, a step switch should be selected instead.

In the side of the base there is an opening for cable exit for surface-mounted electrical wiring, but it can also be mounted for recessed wall box in combination with any of Fontini’s base plates.

For surface mounting on wood paneling or other flammable material, an insulating plastic base plate should be used as additional fire protection.

Combine the switch with the optional knob sold separately. See related products below.

EUR52.27

Cross coupler insert black porcelain

Classic recessed switch in black porcelain without knob and frame in a design that was common in Europe in the first half of the 20th century.

This switch has a so-called cross function, which means that it should only be used if more than two switches are to control the same light source from different locations in a room, staircase or corridor. The cross-function switch is then mounted between two staircase switches.

If an ordinary switch is required to turn a light source on and off, or if two switches are connected to the same light source, a step switch should be selected instead.

Combine the switch with the optional knob and frame sold separately. See related products below.

EUR54.54

Cross coupler insert white porcelain

Classic recessed switch in white porcelain without knob and frame in a design that was common in Europe in the first half of the 20th century.

This switch has a so-called cross function, which means that it should only be used if more than two switches are to control the same light source from different locations in a room, staircase or corridor. The cross-function switch is then mounted between two staircase switches.

If an ordinary switch is required to turn a light source on and off, or if two switches are connected to the same light source, a step switch should be selected instead.

Combine the switch with optional knob and frame sold separately. See related products below.

EUR48.18

Cross coupler white porcelain

Classic surface-mounted switch in white porcelain without a knob in a design that was common in Europe during the first half of the 20th century.

This switch has a so-called cross function, which means that it should only be used if more than two switches are to control the same light source from different locations in a room, staircase or corridor. The cross-function switch is then mounted between two staircase switches.

If an ordinary switch is required to turn a light source on and off, or if two switches are connected to the same light source, a step switch should be selected instead.

In the side of the base there is an opening for cable exit for surface-mounted electrical wiring, but it can also be mounted for recessed wall outlet in combination with one of Fontini’s base plates.

For surface mounting on wooden panels or other flammable material, an insulating plastic base plate can be used as additional fire protection.

Combine the switch with the optional knob sold separately. See related products below.

EUR50.45

Crown switch insert black porcelain

Classic recessed switch in black porcelain without knob and frame in a design that was common in Europe in the first half of the 20th century.

This switch has a so-called crown function, which means that it is used to control two separate light sources. The different positions of the knob make it possible to choose whether both light sources should be lit at the same time or only one.

Four positions of the knob:
1. Both light sources off
2. Light source A on
3. Both light sources on
4. Light source B on

Combine with optional knob and frame sold separately. See related products.

EUR49.09

Crown switch insert white porcelain

Classic recessed switch in white porcelain without knob and frame in a design that was common in Europe in the first half of the 20th century.

This switch has a so-called crown function, which means that it is used to control two separate light sources. The different positions of the knob make it possible to choose whether both light sources should be lit at the same time or only one.

Four positions of the knob:
1. Both light sources off
2. Light source A on
3. Both light sources on
4. Light source B on

Combine with optional knob and frame sold separately. See related products.

EUR44.54

Crude linseed oil

Raw cold-pressed linseed oil of the highest quality. Natural and without chemical additives. Cold-pressed linseed oil is extracted from linseed by pressing when the linseed is cold. This ancient method produces the highest and purest quality of linseed oil.

Unbeatable for impregnating wood exposed to moisture, such as boats and water barrels. Raw linseed oil dries slowly, sometimes never. Therefore, it should not be used on surfaces that will later be painted with linseed oil paint. It can cause blistering.

Tips! Raw linseed oil is also ideal for impregnating planters and grow boxes.

ATTENTION! Keep in mind that paper and rags with linseed oil can catch fire. Put them in a water-filled bucket after use.

EUR11.73

Curtain fabric Karls plaid mosquito scale

Curtains of this type are universal. They were present in all social environments from the 19th to the early 20th century. They were available both as curtain robes on boards and as long curtains. Mounted as a cape, you get two capes out of the width of the curtain.

History: Karlsgården in Järvsö, one of Sweden’s most well-preserved old farms, was opened in the late 1920s. For the new role as a museum farm, Karls was provided with newly woven curtains in traditional style from Hemslöjden. The newly composed pattern was named “Karlsgårdsgardinen”. By chance, however, one of the neighbors of the farm took one of the old curtains that was still hanging. Much simpler and much more archaic in pattern. As if by chance, the same neighbor rewove the pattern in the 1960s, but the curtain and its important original story fell into oblivion for a while. Now Gysinge has rediscovered the old curtains, woven new samples, test washed, ironed and mangled. And we feel that we have one of Sweden’s most beautiful, refined, simple and genuine curtains to offer our customers. The curtain is available in plaid with a simple “checkerboard” (original) and as a “stick stripe” with equal width stripes over the entire surface. Less is more, you could say about both patterns.

EUR34.09

Curtain fabric Karls striped mosquito scale

Curtains of this type are universal. They were present in all social environments from the 19th to the early 20th century. They were available both as curtain robes on boards and as long curtains. Mounted as a cape, you get two capes out of the width of the curtain.

History: In the late 1920s, Karlsgården in Järvsö, one of Sweden’s most well-preserved old farms, was inaugurated. For the new role as a museum farm, Karls was provided with newly woven curtains in traditional style from Hemslöjden. The newly composed pattern was named “Karlsgårdsgardinen”. By chance, however, one of the neighbors of the farm took one of the old curtains that was still hanging. Much simpler and much more archaic in pattern. As if by chance, the same neighbor rewove the pattern in the 1960s, but the curtain and its important original story fell into oblivion for a while. Now Gysinge has rediscovered the old curtains, woven new samples, test washed, ironed and mangled. And we feel that we have one of Sweden’s most beautiful, refined, simple and genuine curtains to offer our customers. The curtain is available in plaid with a simple “checkerboard” (original) and as a “stick striped” with equal width stripes over the entire surface. Less is more, you could say about both patterns.

EUR34.09

Curtain fabric Thea blue/white check

What is unusual about this curtain is the discrete color element in the form of thin, large squares surrounding groups of “mosquito scale windows” in the pattern. This makes the curtain very modern, yet very traditional.

Mosquito net curtains are usually plain white. Another unusual feature is that it is as narrow, only 65 centimeters, as a modern panel curtain, which also means that its width still feels very current. So-called panel curtains can be hung completely smooth, so that the pattern appears, but without the curtains obscuring the view. All in all, “Thea” is a suitable curtain for both the small windows in the cottage and the large ones in the city. The narrow width also means that the curtain can easily be pinned to a curtain board, preferably draped, as the neat selvedges do not even need to be hemmed.

Thea Olsson (1902-1993) was the only daughter of the Gästgivarns mining estate in Wall, which is one of the best-preserved mining estates in the Torsåker region of Gästrikland. When she died, she left behind a lot of valuable movable property, which was auctioned off because she had no family, but a large number of “useless” items remained on the farm, including this curtain, which she probably wove herself.

Thea Olsson and her mother Ida were known to be good at needlework. This curtain pattern is a non-period pattern, which probably left the loom sometime between 1920 and 1940.

EUR34.09

Curtain fabric Thea pink/blue and white check

What is unusual about this curtain is the discrete color element in the form of thin, large squares surrounding groups of “mosquito scale windows” in the pattern. It makes the curtain very modern, yet very traditional. Mosquito screen curtains are usually plain white. Another unusual feature is that it is as narrow, only 65 centimeters, as a modern panel curtain, which also makes it still feel very current in width. So-called panel curtains can be hung completely smooth, so that the pattern appears, but without the curtains obscuring the view. All in all, “Thea” is a suitable curtain for both the small windows in the cottage and the large ones in the city. The narrow width also means that the curtain can easily be pinned to a curtain board, preferably draped, as the neat selvedges do not even need to be hemmed.

Thea Olsson (1902-1993) was the only daughter of the Gästgivarns mining estate in Wall, which is one of the best-preserved mining estates in the Torsåker region of Gästrikland. When she died, she left behind a lot of valuable movable property, which was auctioned off because she had no family, but a large number of “useless” items remained on the farm, including this curtain, which she probably wove herself.

Thea Olsson and her mother Ida were known to be good at needlework. This curtain pattern is a non-period pattern, which probably left the loom sometime between 1920 and 1940.

EUR34.09

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