Linoljefernissa 5 l

Colorless glazing oil for glazing wooden surfaces indoors and outdoors. Suitable, just as it is, for those who just want to freshen up old unpainted or painted surfaces. Perfect for diluting to the desired color and coverage with ordinary linseed oil paint, for veining and marbling. Can also be broken with dry pigments.

Traditional floor and boat varnish. Suitable for indoor and outdoor use. Without additives of plastics, alkyds etc.

Properties: Provides durable and glossy surfaces. Highly weather and water resistant.

Suitable for: New and old wooden surfaces indoors and outdoors, on floors, exterior doors, windows, garden furniture, boats, etc.

Color: Colorless, but can be broken with linseed oil paint to other colors. More information can be found in the book Painted Floors and in the article under the tab “Building care – Do it yourself” at the top of the page.

Gloss: High gloss. The gloss is slightly reduced if the varnish is thinned with balsam turpentine.

Indoor application: Paint with a paint brush. The more thin coats, the more durable the surface. The first coat is thinned with about 15% turpentine, then with 10-5% turpentine in the other coats.

ATTENTION! The floor must be at room temperature for a successful treatment.

Outdoor application: Outdoors, at least 5-6 coats may be needed if the wood is new. The first coat is thinned with about 15% turpentine. Intermediate sanding with fine water sandpaper and wipe off the dust between coats.

Thinner: turpentine balsam.

Tools: Paint brush with stiff bristles.

Brush wash: First, balsam turpentine. Then linseed oil soap and water.

Drying time: Dust dry after about 2-3 hours at room temperature. Can be painted over after 2 days.

Storage: Dry and cool. Does not freeze. Almost unlimited shelf life if the jar is well filled and well sealed.

Yellowish-brown oil for birch bark treatment of indoor wood surfaces.

The birch glaze is ready to use. It is applied on top of the glaze base (see Glaze base) and patterned with a wallpaper brush, for example, to form a striped pattern known as long straw. Or you can print a crumpled newspaper on the glaze surface to create masur birch. A third variation is to imitate flame birch with a birchbark brush. Scrub birch and flame birch are usually displaced, softened, with a displacer, but “long straw” is usually displaced.

If you want an even darker glaze, for example to draw details such as grain patterns and the like, you can add more linseed oil paint, such as unfired umber, to darken the birch glaze.

If you want to achieve a stronger surface than the birch bark itself provides, you can apply a layer of uncolored oil on top, or varnish it with linseed oil varnish, as was done in the past.

The surface in the latter case is much shinier than if you use laser oil.

Mahogany glaze is a reddish-brown glaze oil used to paint indoor wood surfaces in mahogany imitation. Mahogany acid is ready to use as it is.