Swedish Grace is a term coined by contemporaries to denote neoclassical Swedish design from the 1910s and 1920s.

The most representative buildings from this era, such as the Stockholm City Library by Gunnar Asplund, the Resurrection Chapel by Sigurd Lewerentz and the Stockholm Concert Hall by Ivar Tengbom, are all world-famous, and most of what was built during the period is among the most highly regarded architecture in Sweden.

In this anthology, specialists from Sweden as well as other countries discuss different perspectives on Swedish Grace and show aspects that are still relevant today.

The Colors of the Garden City explains what is special about the centuries-old cultural environments of Bromma and other garden cities in Sweden. What is it that makes the garden city such an attractive form of living even for modern people? What gives character to the urban plan and to buildings and gardens from eras with different stylistic ideals? Learn the differences between the National Romanticism of the 1910s, the Neoclassicism of the 1920s and the Functionalism of the 1930s.

The authors began their mapping of garden cities in Sweden as early as the 1980s, by producing material with color schemes and character descriptions for typical houses of the time. Parts of the material are now in a permanent exhibition in Måleributiken in Alvik and have been shown at the City Museum 2013-2015.

The purpose of the book is to draw attention to the unique cultural values of the garden city for all of us and at the same time inspire you as a homeowner to learn more about architecture and coloring. A cultural environment needs to be protected and your house needs continuous care and attention. When repairing and renovating your house – make sure you do not damage the house due to ignorance.

Agricultural architect Charles Emil Löfvenskiöld (1810-1888) dreamed of reforming the Swedish countryside. A new architecture characterized by both beauty and rationality would combat poverty and misery. Bright, spacious and well-planned houses for both humans and animals were the basis for a humane and prosperous society. Only when the practical was also beautiful was it truly functional.

The purpose of the publication Landtmannabyggnader, hufvudsakligen för mindre jordbruk from 1868 was to disseminate the new findings in affordable and educational booklets with clear drawings and explanatory texts. Today, the work is an architectural classic that has had a major impact on Swedish building culture.

This reproduction is supplemented by an appendix with drawings by Löfvenskiöld’s pupil and longtime collaborator Pehr August Pettersson (1841-1906). They were originally published in his Landtmannabyggnader: ritningar för alla områden inom landthushållningen from 1891, a sequel and tribute to Löfvenskiöld’s classic work.

Historic oil paints in architecture and restoration is a thorough presentation of the composition of the linseed oil paints used in Swedish building painting from the 18th century onwards.

It provides a clear but multifaceted picture of how recipes have varied over different periods and how they have been adapted to different substrates.