SKU: 2312-015
EUR2.68
Tygprov av Pastorale Grön, storlek 20 x 20 cm.
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Hand forged linseed oil burned hook for curtain rod Nästgårds from the mid 1800s. Typical thin rod with elegant hand-turned wooden end knobs.
Linseed oil fired forging. Length 130 mm. Curtain rod Nästgårds can be purchased as separate parts or as a complete curtain rod set.
The original pole, which comes from the Nästgårds farm in Sterte, Österfärnebo (one of our exhibition houses), is painted five percent carbon black gray and with knobs in 100 percent carbon black.
NOTE!!! The price is per piece.
EUR20.99
A cord stop is a detail from the last part of the 19th century, intended to lock the blind cords. At that time, roller blinds were not self-rolling and spring-loaded, but were rolled by hand using the cords, much like our 18th century roller blind. Our cord stopper can be used for old-fashioned roller blinds, but can also be used for other purposes. The knob on the cord stop itself is articulated. When folded down, as in the picture, it clamps the cord in the desired position.
EUR26.34
What is unusual about this curtain is the discrete color element in the form of thin, large squares surrounding groups of “mosquito scale windows” in the pattern. This makes the curtain very modern, yet very traditional.
Mosquito net curtains are usually plain white. Another unusual feature is that it is as narrow, only 65 centimeters, as a modern panel curtain, which also means that its width still feels very current. So-called panel curtains can be hung completely smooth, so that the pattern appears, but without the curtains obscuring the view. All in all, “Thea” is a suitable curtain for both the small windows in the cottage and the large ones in the city. The narrow width also means that the curtain can easily be pinned to a curtain board, preferably draped, as the neat selvedges do not even need to be hemmed.
Thea Olsson (1902-1993) was the only daughter of the Gästgivarns mining estate in Wall, which is one of the best-preserved mining estates in the Torsåker region of Gästrikland. When she died, she left behind a lot of valuable movable property, which was auctioned off because she had no family, but a large number of “useless” items remained on the farm, including this curtain, which she probably wove herself.
Thea Olsson and her mother Ida were known to be good at needlework. This curtain pattern is a non-period pattern, which probably left the loom sometime between 1920 and 1940.
EUR34.38
Curtain rod from the mid-19th century, typical thin rod with elegant hand-turned end knobs in birch. Attached to the wall using hand-forged screw hooks.
The original pole, which comes from the farm Nästgårds in Sterte, Österfärnebo (now one of our exhibition houses) was painted with 7 percent carbon black gray and with buds in 100 percent carbon black.
EUR47.78
Swedish machine woven half linen fabric of solid quality, suitable as a cover fabric for upholstered furniture and for so-called half curtains. Now in even better and more rustic quality. The fabric is now woven in an old loom with a shuttle and thus has smooth, fine city edges, which do not need to be hemmed or cut away. Available in two traditional color schemes, red and white after a model from Röö parish in Uppland and blue and white after an original fabric at Skokloster Castle. Both models are from the 18th century, but the fabric as a variety is found throughout the country during both the 18th and 19th centuries.
EUR48.67
Lace or thread curtains were a very common import in Sweden from the late 19th century until the Second World War. Many patterns, like this one, were woven in Scotland, where there is still a strong and living tradition of patterned curtains made from real cotton. This curtain is still woven on old looms in one of the few remaining weaving mills. The curtain is made of the finest ivory white cotton and magnificently patterned with roses in vases, garlands, ribbons and borders. A typical sumptuous 19th century pattern, suitable for the finest rooms in the house.
Machine-woven lace curtains were once considered the ultimate luxury (as opposed to simple home-woven ones!) and those who could really afford it would also buy curtains that were far too long and let them hang out on the floor, much like a bridal veil. The most famous home, where this type of hanging still lives on in unbroken tradition, is Karen Blixen’s Rungstedlund, just north of Copenhagen.
EUR96.00
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