In this book, architectural antiquarian Erika Åberg shows you how to maintain, renovate and make creative reuse projects with old windows and doors.

“Windows are the soul of the house” has become almost a proverb in the building industry. What does it really mean? What are the significance and qualities of old windows? And what about doors? Here, Erika Åberg talks about design and stylistic approaches through the ages, different types of glass, function – or the lack of it – and the challenges of keeping the heat in and the cold out.

The timber used for windows and doors in the past was the best available, of a quality that is hard to find today. If cared for properly, it can last for hundreds of years. Here you will learn about restoration of varying degrees of difficulty, from first aid to full restoration.

With smart techniques and solutions, you can get windows and doors that are beautiful and fit your house. It goes without saying that preserving is more environmentally friendly than buying new. Here is an example of an orangery built with recycled windows.

Erika Åberg tells you in text and pictures how you can take care of and enjoy your old windows and doors for a long time to come.

The Painting Workshop works on renovating old paintings, repainting using old techniques and developing new products inspired by the traditional painting of the Hälsingland farms. The Painting Workshop holds lectures and workshops on painting at the World Heritage Farms in Hälsingland.

Anna-Carin Åsbrink has been working with old painting techniques for over 40 years and shares here the many skills in stencil painting she has accumulated over the years.

The 24-page booklet describes stenciling on walls, borders and blinds. Includes tips on tools, techniques and color mixing of egg oil tempera. It also describes paintings from Hälsingland, which at the same time is universal for all stencil painting.

Agricultural architect Charles Emil Löfvenskiöld (1810-1888) dreamed of reforming the Swedish countryside. A new architecture characterized by both beauty and rationality would combat poverty and misery. Bright, spacious and well-planned houses for both humans and animals were the basis for a humane and prosperous society. Only when the practical was also beautiful was it truly functional.

The purpose of the publication Landtmannabyggnader, hufvudsakligen för mindre jordbruk from 1868 was to disseminate the new findings in affordable and educational booklets with clear drawings and explanatory texts. Today, the work is an architectural classic that has had a major impact on Swedish building culture.

This reproduction is supplemented by an appendix with drawings by Löfvenskiöld’s pupil and longtime collaborator Pehr August Pettersson (1841-1906). They were originally published in his Landtmannabyggnader: ritningar för alla områden inom landthushållningen from 1891, a sequel and tribute to Löfvenskiöld’s classic work.

Historic oil paints in architecture and restoration is a thorough presentation of the composition of the linseed oil paints used in Swedish building painting from the 18th century onwards.

It provides a clear but multifaceted picture of how recipes have varied over different periods and how they have been adapted to different substrates.